Thursday, April 12, 2007

Imus is gone part 2 - 4.12.2007.2

Continued from Part 1...

It’s time that such deragatory comments stop being uttered by anyone. The meaning doesn’t change when a person of color says it, nor when it is put to song. These oppresive words are a poison in the Black culture without regard to who the person stating them is. The fact that they have become somewhat commonplace is similar, to me, to an ebola-like virus eating away at it’s host without any attempt to end the destruction.

We cannot demand that Mr. Imus be held to a standard we do not hold ourselves to. The reason that Mr. Imus had to go is that as a figure of influence he espoused hatred and racism to millions across the country. Gansta rap music entertainers are figures of influence that attempt to entertain millions with the promotion of hatred, racism, drug addiction, and criminality. If we have anger with Mr. Imus, and obviously we have, then we can have no less anger at the current state of rap music.

This does not just end with rappers. They must accept the responsibility for their comments, as has Mr. Imus, and there should be a change. I will not demand that gansta rap should be removed, though I think that would be best, as I do not agree with censorship. Entertainers, as well as all people, deserve the right to the First Amendment, given that their use of this right does not inflict harm to other individuals. You cannot scream fire in a movie theater, you cannot call non-public individuals prostitues and racial slurs just because. Comedians and singers and entertainers deserve the right to ridicule and caricature the society in general and in its parts. But the blatant use of offensive, inflammatory words who’s only purpose is to lessen the humanity of an individual is hurtful in my mind.

But as I stated, rappers are not the final part of this equation. The record companies and radio station owners are equally at fault, if not more so. Before 1992, there were several sub-genres of rap music. Some were more political, some more playful, others with mixed meanings. All during this time rap was considered a fad, and was barely promoted or given significant radio airplay as well as being virtually non-existent in music video airplay. With the emergence of N.W.A. and other gansta rappers there was a decision made by executives that has affected millions since that day. Rap became an official music category, and promotion of this singluar sub-genre became all encompassing. Music videos glorifying violence, the de-humanizing of women, massive drug use, and criminal activity hit the masses in a volume never before seen.

I’ve mentioned before that there are words (particularly the N-word) that these executives could not say without losing everything, but they have made tens of millions promoting music that let others say this for them. The responsibility for morality that every media outlet maintains was thrown to the wind for the sake of money. That is insulting. That so many would do these things for mere money is also troubling and insulting. And this insult was compounded with the almost complete exclusion of any other form of rap. Because of that the record companies are responsible as much as those entertainers that utter these words.

Concluding in Part 3...

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