Television Review: The Prisoner (2009)

The following television review of The Prisoner (2009) may include some spoilers for some fans or those that have not seen the first episode.

I just finished watching the AMC network premiere of the revisioned The Prisoner, with James Caviezel and Sir Ian McKellen. It is certainly an interesting television program.

The television show starts off in many ways just as the original The Prisoner did in 1967. We are introduced to a man and immediately we are in the middle of questions. Who is he? Why is he there? What is going on?

These are questions the man we learn is called Six yearns to know answers to as much as we do. And there is the basis of the whole thing. What are the answers? Though we are given lots of clues, we are also given more than a bit of misdirection and confusion. But always, in the commercial breaks, we are given the hope that all things will be revealed at some point. Which would be a letdown, I think.

In this first of 3 nights, we get to learn that The Village is all there is. It seems that everyone has no memory of anything else. Well almost. Some do have recollections of other things and facts, like about the universe, but yet there is no connection from one fact to another.

From the onset I was let with a recurring thought. This isn't happening, it's the result of a torture. Some kind of hallucination brought on due to a hypnosis or psychological treatment meant to break Six and reveal something that he has yet to even consider.

But this is not something Six does not consider. At the same time we are given every reason to believe it is really taking place. People die, others disappear. And everyone fears Number Two.

There are things that can be gleaned from watching this first episode. We know that there is a corporation, where Six worked. It was in New York. Six resigned from it suddenly and with a bit of dramatic flair. And they are not willing to let Six walk away, at least not without knowing something they fear he learned. That is, if the corporation are his captors at all.

We know that the Towers are meant to symbolize NYC. Possibly meaning an end to innocence, or the extent of desperation some may fanatically follow. We know that control of thought and action are predicated on medications, likely mixed into wrapped foods that are the only style of meal available. We know that fear is a motivation that keeps the few that have any inkling of separate thought quiet and hidden.

But what does this all mean? Why is all of this being done?

One thing is clear, everyone is being watched all the time. Big Brother exists, just not as a Government entity. And that extends from the Village to your home right now. Perhaps only death is the means of ultimate escape.

I think that many of the people in the Village are familiar to Six. He has watched them and their actions in his work in New York. Thus they exist now, but without clear meaning.

I think that all the numbers are critical. 313, 2, 6, 147, 93, 17, 16, and especially 11-12. They all have a significance I cannot now fathom. It is a clue that Six himself states, though in a flashback to the world. It's a hidden message of some sort.

I also believe that the reference to underground is important. Something is happening under the surface, literally, at the Village. It's something that is happening in the subconscious of Six. It is the answer to our questions, I believe.

I think that this is all happening ala Total Recall. The mind of Six is trying to make sense of torture and information, but so far cannot come to grips with the reality of it all. I could be wrong but the way Six appears at most places, how things change, how they interact with his memories of the world, leads me to believe this.

Stepping away from what has been shown, taking into account several things stated by Sir McKellen and the nature of Hollywood these days, I believe this is all a reaction to the evil of not his corporation but another. Someone else wants to know the secrets he uncovered in his work. This is corporate espionage.

So I conclude with this. This revisioning of The Prisoner is interesting. It has more than enough clues and distractions to cause those who actively watch to be curious as to what happens next. It has enough purposive loopholes to make it unclear of what is a writing mistake and part of the storyline. At this point I doubt anyone can out guess what the writer's intended with assurance.

The acting has been well done. We can sympathize with Six. We too can see reason to fear Two. We can understand the dread that comes from the Clinic and the sense of claustrophobia that permeates the idyllic scenery.

Thus this is a good program. It is the high end of what television can provide, when it tries. This is not The Prisoner of 67, yet it is a worthwhile experience. It is captivating and allows time to roll by without notice. It easily inspires discussion and questions. It easily makes you believe in the experience being given.

Television rarely reaches for such lofty goals as entertaining the mind as much as the eyes. But in this case they have succeeded, and I look forward to Monday nights episodes.